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Той факт, що фільм «Анора» отримав п'ять «Оскарів», безумовно, став шоком для більшості людей за межами США, які хоч трохи розуміються в кінематографі. Тим не менш, його величезний успіх у Штатах у той час, коли країна відкочується назад до імперіалізму і рухається до диктатури, не може не викликати занепокоєння.
Дозвольте мені почати з кількох слів обурення самим фактом номінації фільму «Анора». За найкращу чоловічу роль другого плану був номінований виконавець ролі Ігоря Юра Борисов, широко відомий своїми ролями в підтримуваних Кремлем пропагандистських фільмах, людина, яка незаконно відвідувала окупований Крим. Лишень жодна з цих відомостей не набула широкого розголосу серед американської громадськості. Дивлячись на це з перспективи польки, я дивуюся, як це може бути нормальним для всіх навколо мене.
Мої американські однолітки зі школи підходили до мене і питали: «Ти бачила «Анору»? Дивовижний фільм!».
Коли я вказувала, що фільм проросійський, вони відповідали, що це «феміністичний» фільм або що він зображує росіян у негативному чи сатиричному світлі, що лише підкреслювало, наскільки ефективною є російська пропаганда
Як можна вважати фільм феміністичним, якщо він зображує боротьбу секс-працівниці, яка не має жодної особистої автономії, тим більше, що секс-праця існує переважно для задоволення чоловічих бажань? Я не намагаюся критикувати тих, хто займається цією роботою, але справедливо зазначити, що в більшості випадків, особливо в такій капіталістичній країні, як США, стати працівницею секс-індустрії рідко буває свідомим вибором. Частіше це результат вибору між бездомністю та цією професією.
Шон Бейкер жодним чином не торкнувся цього аспекту. Натомість, як «прогресивний» режисер, він доклав чимало зусиль, щоб показати нелегке життя дівчини з бідного середовища. Однак у жодній з п'яти оскарівських промов режисерів не згадувалося ні про секс-працю, ні про жінок, які нібито «надихнули» фільм. Це лише підтверджує мою думку, що білі чоловіки не повинні розповідати історії про жінок — особливо зараз, коли у нас відбирають права, а «фільмом року» називають історію про життя секс-працівниці, врятованої розбещеним сином російського олігарха. Який урок ми, жінки, повинні з цього винести?
Навіть якби я хотіла поспівчувати героїні Анори або спробувати зрозуміти її, зробити це майже неможливо, оскільки, незважаючи на те, що вона є головною героїнею, вона не має, як я вже згадувала, особистої автономії. Я розумію, що, можливо, в цьому і полягав задум Шона Бейкера: зобразити її як жертву. Однак, як на мене, це просто поганий сценарій. Чого хоче Ані? Чи хоче вона бути з Ванею? Чи вона нещаслива в Нью-Йорку? Ми не знаємо. Тому що, хоча її життя не є розкішним, ми не дізнаємося, що вона відчуває з цього приводу і чи хоче щось змінити. Цього не видно ні з її вчинків, ні з режисури, ні зі сценарію. А якщо незрозуміла мета головної героїні, то виникає питання, про кого ж насправді ця історія — адже за таких обставин Анора просто стає боксерською грушею для інших персонажів. Хіба що Шон Бейкер саме так і сприймає жінок. Але якщо так, то я повертаюся до свого попереднього спостереження про нездатність чоловіків розповідати жіночі історії.
фот. пресматеріали
Дехто каже, що остання сцена фільму — це справжнє проникнення в особистість Ані, яка «весь цей час хотіла лише близькості та любові». Але чи справді це так? Якби це було так, хіба ми не повинні були б побачити, що вона налагодила більш тісний зв'язок з Ванею замість того, щоб просто танцювати для нього? Чи вона просто використовувала його, щоб заповнити порожнечу від браку любові? Зрештою, фільм нічого не пояснює, змушуючи глядача здогадуватися про наміри героїні, роблячи всю картину просто одновимірною. Мені байдуже, чи хотів Бейкер показати жінок секс-працівниць як особистостей, нездатних боротися за себе. Як глядачка, я хотіла вболівати за Ані, але не було нічого, що дозволило б мені підтримати її або зрозуміти, чого вона насправді хоче.
За всю церемонію вручення «Оскара» Україна була згадана лише один раз — тоді як цей проросійський фільм згадувався більше разів, ніж я можу порахувати. Найбільше мене дивує, наскільки ми стали байдужими до російського геноциду.
Мене шокує, що люди починають дивитися фільми про бомбардування українських будинків, а потім просто перемотують їх — і йдуть далі. Ким ми стали як суспільство, якщо ми такі нечутливі?
Так само американці гортають новини і шукають наступну розвагу — наприклад, фільми на кшталт «Анори». Хто ж не захоче подивитися, як двоє молодих і привабливих людей займаються сексом на екрані, правда ж?
Тож поки ЗМІ годують нас черговим одурманюючим фільмом, я приходжу до висновку, що «Анора» несе в собі більш глибоке послання про стан американського суспільства.
Хто може врятувати Трампа, якщо не росіяни? Цей фільм має схожу тональність: дівчина в біді, яку рятує російський принц. Алегорія тут очевидна і відображається в тому, що «слов'янська лялькова естетика», «слов'янська лялькова дієта» і одержимість Марком Ейдельштейном, який грає Ваню, стали одними з наймодніших хештегів у TikTok. Дівчата в хутряних шапках і шубах викладають відео, де вони знімаються в головних ролях, їдять гречку і квашену капусту і кажуть, що мріють про слов'янських хлопців. Американські дівчата стають новими Анорами. Та й сам Трамп під час свого банкрутства був схожий на Анору: дівчина в біді, яка чекає на порятунок від олігархів. Питання в тому, коли ілюзія розвіється, чи буде він покинутий, як Анора? Чи це лише початок нової хвилі романтизації Росії в західних ЗМІ?
Director, creative producer and assistant director. She is completing her studies at the Tisch School of New York University, where she is enrolled in the «Film and Television» program. During her time at New York University, she directed several films dedicated to social change. Many of the films she has worked on have been selected for participation in renowned film festivals. She believes that storytelling must always be imbued with truth and serve as a motivator for societal change.
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Nothing survives without words. Together, we carry voices that must be heard.
Joanna Mosiej: You have said that your greatest dream is for the world to wake up and for us to have a future. Are we truly at the point of the Weimar Republic's decline? Is there no hope or way back for us? Must history repeat itself?
Agnieszka Holland: I fear it will be difficult to turn back from this path unless there is genuine will. Of course, hope dies last, but it must be a collective hope, not just that of individuals. At present, those who determine our fate lack both ideas and will. And they lack courage. At the moment, all right-liberal-centrist governments are decisively shifting towards reactivity in the face of what they perceive as an inevitable wave of brown populism. When nothing but even greater populism stands against this wave, the game of world destiny cannot be won. At least, not in the coming decade. At the same time, I do not see the diligence, determination or charisma that could persuade people that certain values are worth fighting for. This applies to all dimensions - in the way Ukrainians are fighting and in the way they forgo certain comforts for the sake of a better future and the expansion of rights for others.
At the same time, more and more people who were previously engaged are retreating into internal exile due to fatigue, disappointment and loss of hope.
Yes, they are withdrawing into a kind of oblivion and passivity, which is why the crisis of hope seems to me the deepest and most dangerous crisis. It manifests in many ways, such as the reluctance to have children in wealthier countries, which stems precisely from a lack of hope, from a lack of belief that the future has meaning. That it is good enough to project oneself into. And such immense disappointment, a sense of meaninglessness, and the desire to remove young or sensitive, idealistic people from politics - this is a phenomenon that is deadly dangerous to any attempt to preserve democracy.
We are also living in such a sombre time. In one way or another, what is happening in Poland is, to some extent, a reflection of what is happening in the world. What Donald Trump is doing, how quickly various authoritarian regimes are rising - it is all so bleak. One can react to this with fatalism, succumb to it and try to go with the flow, as most of the political class is doing.
This is an approach of peculiar, narcissistic selfishness that politicians like Donald Trump are very attuned to. They build upon it. They give hope to those who are so uncritical that they mistake any glitter for gold and are very easily tempted. They are not equipped with the tools of elementary criticism to resist modern means of communication.
In the era of the internet revolution, artificial intelligence, and social media with their algorithms, manipulating public opinion is trivially easy and hellishly effective
These monsters have absolutely incredible tools at their disposal. This is a great failing of the entire education system, as well as the media, which have succumbed so much to the pressure of clickability that they have essentially ceased to be an authority for anyone.
Agnieszka Holland takes part in Joanna Rajkowska's performance on the situation at the Polish-Belarusian border in Saxon Garden in Warsaw (Ogród Saski), May 14th 2023. Photo: Maciek Jaźwiecki / Agencja Wyborcza.pl
I have the impression that Ukraine's tragedy also lies in its attempt to join a world that no longer exists - the world of liberal democracy, human rights, and the rule of law. A world that is melting away like precious ore.
To some extent, that is exactly the case. Donald Trump's recent actions, particularly the freezing of USAID funds, directly harm their means of existence. They take away hope not only for a better future but even for the present. These funds financed the work of many NGOs and provided concrete humanitarian aid. Replacing these funds will be difficult. That is why we must rebuild independent NGOs and media on some other foundation. It will be a tremendous effort because the money is mostly on the side which all millionaires and great technologists belong to.
Trump and his surrogates, like some sort of sorcerer's apprentice, can be astonishingly effective precisely because they have no restraints. Until now, we were accustomed to the idea that there are certain rules and boundaries that must not be crossed.
We are undoubtedly on the defensive.
How will this end?
I think we more or less know. It will end in some kind of apocalyptic catastrophe, after which we will, hopefully, find our way home again
If we survive, we will return to some sense of meaning, but for now, things do not look very good.
How then can we provide hope?
I can only express my astonishment, because, to be honest, offering hope in a situation where I do not know where to find it would be highly irresponsible.
You are the conscience of Polish cinema, but whom would you consider a hero of our time - a kind of Citizen Jones?
Citizen Jones, the brave whistleblower, has always been my hero. Activists are also heroes - those who go against the tide, who are always guided by the most fundamental values. For me, they are the heroes of our time. It is difficult for them because they are a great minority. Just as there was a great minority of democratic opposition in communist countries, or as there was a great minority of early Christians. But I believe that this world is constantly being rebuilt, and that with each such upheaval, these liberties expand. Therefore, I hope that it will happen now as well.
In your film «Europa, Europa», there is a surreal scene in which Hitler dances in the arms of Stalin. I think today you could create a similar scene where Putin dances with…
Well, yes, I think you could form quite a large circle of dancing, deranged authoritarian narcissists who disregard any values other than their own immediate and grand victories.
«Europa, Europa», which was in a way a warning, becomes relevant again, as do all films or stories in moments like these, when it is about what happens to a person faced with the simplest choice - to save themselves.
And everything else ceases to matter.
We filmed it in 1989, and it appeared in cinemas at the turn of 1990-91. It was a time of great hopes, of great changes in our part of Europe. I was often asked why the double title. I replied that I was intrigued by Europe's duality, a kind of dichotomy reflected in the fate of the boy - the film's main character.
On one hand, Europe is the cradle of the greatest values - democracy, human rights, equality, fraternity, solidarity, and great culture. On the other hand, it is the cradle of the greatest crimes against humanity and the utmost cruelty
That is the duality. And now, once again, it is beginning to lean towards its dark side. We are entering darkness, and for now, there is no light at the end of the tunnel. But that does not mean we should not move towards that light.
We need to form a coalition against what is happening. We need to encourage those who resist. There are still many people of goodwill, and it is on their resistance that we must build the future.
Director Agnieszka Holland on the set of the film «Europa, Europa», Łomianki, June 10th 1989. Photo: Sławomir Sierzputowski / Agencja Wyborcza.pl
At last, some hope.
And to my Ukrainian friends and acquaintances, I would like to say that light will appear. For now, we see darkness around us and feel as though there is no light at all. But that light exists. It is within us. We are the bearers of that light, and those fighting in Ukraine are, more than anyone, the bearers of that light. There are many forces around that wish to extinguish this light. We must protect them. All I can express is my admiration for their strength and solidarity.
Thank you very much. That was beautifully said. Lately, we have been telling ourselves that hope lies within us. Because when it seems there is nowhere else to find it, we must seek it within ourselves.
Exactly, you are right. That is precisely what I wanted to say - that the light, or hope, is within us.
Olesia Trofymenko blends painting techniques with ancient Ukrainian embroidery. In March 2022, during the peak of the war, Dior approached Olesia to create decorations for their collection show. However, this collaboration went beyond simple set design. The world of high fashion sought to see and hear Ukraine in its unique, authentic form. The central theme of Dior's collection became the «Tree of Life» - a key element from traditional embroidered towels of the Chernihiv region.
The «Tree of Life» symbolises the triumph of light over darkness. In the first few days of Olesia Trofymenko’s exhibition at the Rodin Museum in Paris, more than 10 thousand visitors attended - an impressive turnout, according to Dior’s PR team, and a rare occurrence. Sestry spoke with Olesia about her collaboration with the globally renowned brand, how she reached European officials and millionaires, and the high-level artistry of Ukrainian embroidery.
Embroidered symbol of life’s victory over death captivated Dior's creative director
Yaryna Matviiv: Is it true that the news about collaborating with Dior caught you off guard while you were in the garden?
Olesia Trofymenko: That is exactly what happened. In some ways, I was lucky because, during the invasion, I was far from Kyiv, in a village. But emotionally, it was very difficult - panic attacks would not leave me alone. On the fourth day of the war, I went out to plant a garden. It was my psychological protest against death and all the horrors Russia was causing. It was my personal war to claim the right to plant flowers and gardens on my land, in defiance of the machinery of death.
By the way, in Kyiv, it is quite noticeable: flowerbeds, which were usually overrun with weeds, are now planted with flowers. When I spoke with my neighbours, they had the same impulse - to urgently fill this wounded earth with beauty.
It was during this time that I received a call from the curator of an exhibition we had done back in 2014. At that time, Benetton held an annual exhibition inviting a hundred artists from different countries to paint on 10/15 centimetre canvases - challenging but interesting work. With the start of the full-scale invasion, it was decided to repeat this exhibition in Rome.
Back in 2014, I managed to embroider a fragment on that tiny canvas because I had just invented my painting-embroidery technique. Now, I was eager to explore this technique on a larger scale. My work caught the eye of Dior's creative director, Maria Grazia Chiuri. She approached the curator about doing a joint exhibition with me. It was so unexpected!
I was standing in the garden and asked again on the phone: «Which Dior?»
The exhibition curator, Solomiya Savchuk, added that I would have 200 people working for me. I thought she meant 200 Ukrainian artists would help with the decorations. But no. «You will have 200 Indian embroiderers from Mumbai working for you», Solomiya said. In reality, there turned out to be twice as many.
It took 470 seamstresses three weeks (!) to embroider 32 of my works for Dior shows
Interestingly, this was the first Indian school where women were allowed to embroider and earn money from it (in India, traditionally, only men could earn money through embroidery). They beautifully embroidered my canvases in 3D.
This is what Ukrainian embroidery made by Indian craftswomen for French Dior looks like
- You researched Cossack embroidery from past centuries. These motifs became the face of Dior’s shows. But why did Dior turn to Ukrainian history and art?
- Well, first of all, when they approached me, it was the end of March 2022. The idea resonated because the Dior brand itself was founded after Christian Dior met his sister, who survived a Nazi concentration camp. In protest against the collapse of humanity, he established his high fashion house. It was a victory of aesthetics over destruction.
This is why it was important for them to collaborate with Ukrainian artisans (we had already witnessed Bucha and Irpin by then) - it was their political stance on the events in Ukraine. Full support.
Secondly, I use intricate embroidery techniques.
I try to showcase Ukrainian culture in a way that breaks free from the clichés that Russia has always used to present us to the world - baggy trousers and primitive embroidered shirts. In reality, Cossack embroidery is like a universe! Its aesthetic is comparable to that of Japan
For my Dior sketches, I also drew inspiration from the wedding wreaths of early 20th-century Galicia. These wreaths resemble crowns. However, the most prominent connection between me and Dior is the symbol of the Tree of Life. Dior latched onto this image. As Maria Grazia Chiuri told me, the Tree of Life is a collective symbol across all cultures. All ancient civilisations interpret it as a symbol of life’s triumph over death.
As a result, Maria Grazia completely changed the concept of her collection to incorporate this image. The «Tree of Life» became the leitmotif of the entire Dior show.
Tree of Life on the wall and in the couture clothing. Photo: House of Dior
- After the Dior shows ended, did the embroidered canvases remain at the Rodin Museum?
- Yes, they hung there for a week, and museum visitors could view them. In just the first four days, 10 thousand people saw my work. The exhibition generated a lot of buzz. We spoke about Ukraine through the language of art.
Afterwards, the canvases became the property of the House of Dior.
- At the start of the war, France and Italy were still influenced by Russian propaganda. But Dior took a stand immediately?
- And that pleasantly surprised me. Maria Grazia’s first words when we met in Paris were: «Olesia, I want to tell you straight away that we are on your side, we do not believe Russian propaganda. We understand where the truth lies».
That was important because when you are abroad, it is hard to know who you can trust. Russian propaganda spends vast amounts of money to spread disinformation about the war in Ukraine.
Olesia Trofymenko and House of Dior creative director Maria Grazia Chiuri. Photo: jetsetter.ua
Artists can be heard better than politicians
- A year ago, we held a screening of the film «Mariupol. Unlost Hope». Let me share the backstory: while I was creating sketches for Dior, our director Maks Lytvynov asked me to draw an illustration for a documentary about Mariupol. He filmed this right after the city was taken. In it, he interviewed women who had survived, and in the pauses between these heavy stories, I drew the city «before» and «after» the catastrophe.
This film was shown in various countries across Europe, and a French volunteer, Stéphane Delma, took an interest. He decided that more screenings should be held in France - on different public platforms.
That is how we ended up in Étretat, a tiny French commune famous for being painted by the Impressionists. The place is so popular that European millionaires have started buying houses there. It was important for us to share the stories of the women from Mariupol with this audience. However, the town’s mayor, who is over 90 years old, did not want to show the film. He said it was all politics and mentioned that he had studied Russian once. Then, things changed, just like in a movie…
The local community of active women insisted on screening the film, and after watching it, the mayor underwent a transformation. He became very sympathetic to us.
A lot of people came to the film screening, and afterwards, they asked us more detailed questions about the situation in Ukraine. Before this, the war had felt like a reality show on TV for many, but we gave them the chance to connect with the real-life experiences Ukrainians are living through. We then shared with them stories about missile attacks and how to hide from bombs and drones.
Olesia Tryfomenko’s Mariupol at the Étretat exhibition
- So, does culture influence people more powerfully than media or news?
- People who create culture and art can indeed be heard better than politicians. It works.
- What makes Ukraine interesting to the global art community? Have you managed to separate the Ukrainian world from the Russian?
- Slowly, but yes. Many art historians are pushing global museums to change the attribution of works by artists who are Ukrainian, not Russian.
For Europe, we are intriguing because we have preserved a school of realist painting, but we have a different visual language and way of thinking.
We live in an age dominated by images, and we must show the world that we exist and what our culture truly represents. For too long, we were viewed as part of Russian culture, and that is partly our fault - we did not promote ourselves during peacetime. If we remain silent, we will continue to be overlooked.
Bomb explosions made from embroidered peonies
- What are you working on today?
- Right now, all my work is focused on the war in Ukraine. However, I try to address this topic metaphorically to reach a broader audience.
Otto Dix's famous paintings of World War II shocked people - the artists of that time showed the horrors of war with decomposing bodies on the streets. Since then, images of violence have become part of mainstream culture.
In contrast, I aim to «mask» these horrifying realities with beauty in my paintings. Currently, I am working on a series called «Substitution». I cover the wounds of soldiers with lilies and depict explosions using embroidered peonies. By using symbols of undeniable beauty, I hope to draw people in, to make them pause and look closer, and only then realise what the painting is truly about.
It took Olesia almost a year to finish the Sweet Dreams painting about Balaklava (Sevastopol)
«The rule of two walls» painting
This is a uniquely Ukrainian ability - to process pain through beauty, aesthetics and harmony. After all, this is exactly what my neighbours do, creating stunning flower gardens in their courtyards between missile attacks
Our «Tree of Life» will grow through the minefields, taking deep roots of revival amid the ruins of Mariupol...
The West had all the tools to foresee Russia's war against Ukraine - and chose to ignore them. Even before 2014, analysis reached NATO's highest offices: the annexation of Crimea, the threat to Mariupol, the Russian Federation's dominance in the Black Sea. The forecasts were accurate, but most member states opted for the illusion of partnership with the Kremlin.
Are changes still possible? What is required to achieve them? And can NATO remain an effective security alliance in a new era of threats? These and other questions were addressed in an interview with Sestry by Dr Stefanie Babst - one of the most influential security strategists in Europe, who worked at NATO for over 20 years, including as Head of the Strategic Foresight Team. Today, she is an independent analyst, the author of a book on the West's «blind spots» in its strategy toward Russia, and an active participant in international discussions on war, peace and security.
Ukraine, Russia and the strategic miscalculations of the West
Maryna Stepanenko: You led NATO's Strategic Foresight Team. How do you assess the West's ability to foresee Russia's full-scale invasion of Ukraine? Were there signals that were simply not heard, or perhaps deliberately ignored?
Stefanie Babst: There were many warnings that went unheeded. Allow me to explain. In international relations, it is crucial to accurately assess the mindset, capabilities and intentions of another actor. NATO failed to do this with Russia. As the Head of Strategic Foresight at the Alliance, I issued the first serious warning in 2013 - a few months before the annexation of Crimea. I presented an analysis outlining Russia's malicious intentions and its military preparations against Ukraine.
It was reviewed by the Secretary General and discussed with member states, but no action was taken
Some countries - the Baltic States and Poland - took the analysis seriously. Others - notably Germany, the United States and the United Kingdom - preferred to maintain the NATO-Russia partnership. From 2014 onwards, we intensified our analysis, forecasting actions such as the seizure of Mariupol, dominance in the Black Sea and the use of Donbas as a staging ground. These forecasts were presented at the highest levels, including the NATO Council, but were ultimately dismissed.
In 2015 and 2016, we broadened our focus to include China and its ties with Russia, offering future scenarios and forecasting so-called «black swans» - high-impact events that are hard to predict, seem unlikely but could have serious consequences if they occur. Again, many perceived this only as «intellectual exercises». Thus, NATO possessed the tools of foresight - and chose to ignore them. And that comes at a very high cost.
In your work, you call for a review of the West's strategy toward Russia. In your view, what «blind spots» remain in Western approaches - particularly regarding support for Ukraine?
Three years ago, I called for a powerful, multifaceted deterrence strategy to help Ukraine not just freeze the war but win it. I invoked George Kennan's Cold War approach, urging the use of all available instruments - economic, diplomatic and military - to push Russia out of Ukraine. But apart from some Baltic and Northern European countries, no one took this seriously.
NATO and the EU still lack a defined end goal. If Ukraine's victory were the objective, a corresponding strategy would have been developed
Instead, Western leaders underestimated Ukraine's resilience and failed to act decisively even after Russia crossed countless red lines. President Biden, despite his commitment to Ukraine, framed his approach around what the United States would not do: we will not provoke Russia, we will not give Ukrainians long-range weapons, we will not do this or that. This is not a strategy. Now, with Trump’s return, many European governments are passively hoping for a US-Russian agreement that merely freezes the war - something I believe is dangerous both for Ukraine and Europe.
My main criticism is the lack of political will in the West. Too many still see this as Russia's war against Ukrainians. But it is our war too
Stefanie, why do you think Europe failed to prepare effectively for Trump’s presidency?
Planning within NATO and European governments is often difficult, as politicians typically focus on short-term goals, usually only a month ahead. In times of emergency, particularly due to Washington's unpredictability, Europe must abandon crisis management mode and stop reacting to every event, such as a new tweet.
Europe must be firm with the United States, clearly communicating that their actions - including threats to countries like Canada and Denmark, withholding intelligence from Ukraine and halting cyber operations against Russia - are unacceptable. These decisions had deadly consequences, and member states should not be afraid to hold the United States accountable for violating the fundamental principles of the Washington Treaty.
Mark Rutte, the NATO Secretary General, recently visited Florida to meet President Trump, hoping to impress him with defence spending figures. He praised Trump’s leadership and even claimed that Trump had «broken the deadlock» in relations with Russia. However, this is detached from the reality of ongoing Russian attacks.
If the NATO Secretary General lacks a clear message, the best approach is silence, focusing on supporting member states and protecting them from any threat. We do not have time for empty words and political games.
Europeans must remain immune to American political theatre, focusing on strengthening defence capability and supporting Ukraine’s defence industry so it can resist Russian aggression
Rutte: NATO wants to make Ukraine a strong state. Photo: Office of the President of Ukraine
Migration and war
Germany is no longer the EU leader in asylum requests from South American and Middle Eastern refugees. At the same time, in the first quarter of 2025, applications from Ukrainians rose by 84 per cent. What does this indicate?
It is entirely understandable that many Ukrainians have chosen to leave their country for personal and professional reasons - this is natural, and no one should be blamed for it. But this migration has political consequences in Germany, particularly when far-right parties exploit it by portraying Ukrainian refugees as a burden on the social system, regardless of their skills or motivation. These sentiments are especially strong in eastern Germany, where parties like AfD and certain left-wing populist movements have gained support.
What concerns me is the lack of strong counteraction from the federal government in Berlin - clearer messaging and political leadership are needed
If more Ukrainians arrive, I hope the next government will take a positive stance, recognising that many of them can significantly contribute to the German workforce. This would mean reducing bureaucracy, accelerating integration and facilitating their employment. Whether this happens remains to be seen.
Continuing on this topic, in recent weeks, some districts in Germany have publicly declared that they can no longer accommodate Ukrainian refugees due to overburdened social systems. How do you assess these sentiments?
It is true that local communities across Germany still face difficulties in accommodating refugees - an issue that arose after Chancellor Merkel’s decision to open the borders, leading to a large influx of refugees from Syria, Afghanistan and other countries. Many municipalities remain overwhelmed by demands for housing, language training and integration support. However, Ukrainian refugees do not pose the same challenges.
Ukrainians generally integrate well, bring strong skills and education and do not contribute to social tensions
In contrast, some refugees from the Middle East struggle to adapt to liberal democratic norms, which fuels far-right narratives, particularly in eastern Germany. Parties like AfD and figures such as Sahra Wagenknecht exploit this, promoting anti-Ukrainian, pro-concession rhetoric that ignores the reality of Russian occupation.
Unfortunately, mainstream democratic parties are not doing enough to push them back. With growing support from American right-wing populists, such as those connected to Trump or Musk, this polarisation may deepen further, posing a serious threat to democratic cohesion in Europe.
Europe on the brink of war
Amid full-scale war in Ukraine, initiatives have emerged in Poland and Germany to prepare schoolchildren for emergencies. Does this indicate a deeper shift in Europe's security culture, where defence is no longer solely the army's responsibility, but that of the entire society?
Although some defence-related courses have begun in Germany, they remain insufficient, and the wider public remains largely unprepared - both mentally and physically - to play a defensive role.
Serious debates are now underway about reinstating military conscription, but surveys show that two-thirds of people aged 20 to 30 would refuse to serve, with many saying they would rather emigrate than defend the country.
This reflects a deeper issue: decades of political messaging have conditioned Germans to believe they live in peace, surrounded by allies, and need not prepare for conflict
As a result, Germany also lacks bunkers for emergencies, civil defence training and basic resilience measures for the population. Changing this mindset will require strong political leadership. Without it, the Bundeswehr will remain under-equipped and unable to contribute significantly to efforts such as a potential coalition in Ukraine.
We see civil defence becoming part of public policy, from educating children to testing alarm systems. Is Europe beginning to think seriously about its own resilience in the face of potential escalation beyond Ukraine?
Undoubtedly. Some countries, such as Finland, Sweden, Poland and the Baltic States, have prioritised both military capability and societal resilience in recent years. In cities such as Riga and Warsaw, the Russian threat is well understood. However, countries like Germany, Belgium, Portugal, France and others still view Russia’s war against Ukraine as a regional issue.
Fortunately, leaders such as Kaja Kallas are advocating for a long-term strategy against Russia. Since the start of Russia’s full-scale invasion, I have argued that we must prepare for a protracted conflict, as long as Putin’s regime remains in power, Russia will continue to pose a threat to Ukraine and the whole of Europe.
Strategic vision
Given your views on NATO's evolution and the need for a new coalition, potentially the so-called «coalition of the willing», how do you envisage its structure? What strategic or institutional frameworks will be important to effectively counter Russian aggression, considering internal challenges within NATO, particularly due to the influence of populist leaders, including Trump?
During my time at NATO, I was proud of my team’s ability to anticipate challenges before they emerged, especially regarding NATO’s enlargement. I was actively involved in the admission of new members, including the Baltic States, Slovenia and Slovakia.
One of the moments I had hoped to witness was seeing Ukraine’s flag at NATO headquarters, but I no longer believe that is a realistic goal
Instead, I believe Ukraine should focus on building a new coalition with like-minded countries, rather than pursuing NATO membership. The Alliance, particularly under the influence of destructive politics, is becoming increasingly divided.
If I were advising President Zelensky, I would recommend not wasting energy on NATO accession but rather focusing on strengthening a broader, more flexible alliance to counter Russian aggression. This would allow us to move beyond the status quo and prepare for the future.
Considering the current dynamics within NATO, how long do you think the Alliance can maintain its current structure before significant changes become inevitable? Do you have a timeframe in mind?
When President Trump was elected, I predicted he would undermine the rules-based order, and we are already seeing significant damage done to NATO, especially concerning the US commitments. European countries have started discussing enhancing the European pillar within NATO, planning to prepare for a potential US withdrawal within five to ten years. However, I believe that timeframe is overly optimistic - we may have only five to ten months before we witness new disruptions.
What lies ahead for NATO? Photo: BRENDAN SMIALOWSKI
Looking back, it is clear NATO missed the opportunity to prepare for these challenges. In 2016, I prepared a document for the Secretary General outlining potential harm Trump could cause, but it was dismissed at the time. The issues I raised remain relevant today, and NATO's bureaucracy is too risk-averse to plan for unforeseen scenarios.
If the Alliance fails to act, it risks becoming a reactive organisation that merely responds to Trump’s tweets instead of proactively working toward the future
I hope that countries such as France, the United Kingdom and Northern European states will cooperate with Ukraine to create a new joint alliance capable of better confronting future challenges.
Cover photo: MANDEL NGAN/AFP/East News
This project is co-financed by the Polish-American Freedom Foundation under the «Support Ukraine» programme, implemented by the Education for Democracy Foundation
I think people don’t realize how bad things were in America even before Trump. If anything, I see Trump as simply someone openly talking about the things the American government has been doing for centuries. By no means am I saying that what Trump is doing is okay – but he is honest about it. After all, the Biden administration deported an average of 57,000 people per month, while the Trump administration deported 37,660 people last month – and yet we never hear about Biden’s deportation plans. We praise liberals for their commitment to human rights, but what have they actually achieved?
They don't protect women's rights, they allow the genocide of Palestinians, they arrest students for protesting, they enable Russia to continue its crimes, and they restrict our freedom of speech. And yet we are expected to vote for them because they are the “lesser evil”? I keep hearing that the future "rests in the hands of young people" because the older generation caused this whole mess. I’m expected to protest, vote, organize – while being cut off from all of it.
What kind of democracy is America, if our only choice is between two evils, both backed by the same powerful interests?
I think when looking at America, we need to ask ourselves: “For whom was it ever good?” It has always been a good country for white Americans, and now it’s probably even better for them. But has it ever been a good country for women? Has it ever been good for people of color? I think we forget this when we idealize America. It was never a great country, and it will never be “great again” unless the past we're referring to is that colonial, racist empire that Trump wants to bring back.
Looking at the “American Dream” from the perspective of a post-communist country in Eastern Europe, it’s easy to idealize it. Nevertheless, I always try to remind people from Eastern Europe that the society, security, education, and healthcare we have here are worth a million times more than the idealized version of what their life could look like in the capitalist utopia of America.
I recently visited New York. Although it’s one of the most expensive cities in the U.S., the price hikes over the past year shocked me. I heard from friends that they can’t afford their rent because it was raised by 25%. Some of them haven't been able to find a job since last summer – and by "job" I mean any job, even in a café or grocery store. And these are people who graduated from prestigious universities like Columbia or NYU.
William Edwards and Kimberly Cambron are married on Valentine's Day at Times Square in New York on February 14, 2025. Photo: Kena Betancur/AFP
Food prices continue to rise. Last year, groceries that lasted me about 10 days cost around $120. When I came to New York recently, that amount had doubled. It’s obvious that Trump wants an economic collapse so that only the top 1% can afford anything – but what then? Are all the people that are unable to afford anything supposed to end up arrested and become another form of slave labor for the American empire? Is that Trump’s plan?
Homelessness in America is another thing I noticed become worse after being away for a year. To my surprise, I found that Americans have become even more indifferent to it than before. The rise in the number of people using drugs on the streets is terrifying, and the fentanyl epidemic is rapidly turning more cities into “zombie cities. ”It was already a serious problem during the pandemic, but now it’s even worse.
More and more people can't afford to pay rent — and more and more are ending up on the streets.
Although the sight of people using drugs frightens me, what I feel even more strongly is anger. Why is no one helping them? How can Americans be so indifferent, watching people die on the streets every day?
Now Trump wants to make homelessness illegal. He will use those who cannot be trapped within the capitalist system as another labor force for America's prison-industrial complex
Homeless people eat Thanksgiving lunch organized by the nonprofit Midnight Mission for nearly 2,000 homeless people in the Skid Row neighborhood of downtown Los Angeles, Nov. 25, 2021. Photo: Apu GOMES/AFP
America is slowly falling apart, like every empire, but its problems didn’t arise overnight.
The cracks in the foundation had existed for years in a country whose core was built on genocide and slavery, but now they can no longer be ignored. So how can the citizens of this country continue to look away and not take action? Because it’s easier to sit at home, distracting themselves with entertainment, social media, or daily responsibilities, than to confront the harsh realities of what is happening around them.It saddens me to realize that many Americans only grasp the seriousness of the situation when their own property is at risk. Only when their belongings, their sense of security, or their daily lives are threatened do they start to understand that change will not come from passive observation or waiting. The urgent need to take to the streets and demand action becomes clear only when the consequences of inaction are personally felt. But history shows us that by then, it’s already too late.
“First they came for the socialists,
and I did not speak out—because I was not a socialist.
Then they came for the trade unionists,
and I did not speak out—because I was not a trade unionist.
Then they came for the Jews,
and I did not speak out—because I was not a Jew.
Then they came for me—and there was no one left to speak for me".
The first and foremost is the experienced political strategist Susie Wiles. Aged 68, she currently holds the position of Chief of Staff at the White House and controls access to the president. It was she who insisted that technology billionaire Elon Musk should not be granted a private office in the White House. Otherwise, he would never leave the Oval Office.
Susie Wiles has been by Trump’s side for many years. Photo: Anna Moneymaker/Getty Images/AFP/East News
Susie began her career in political PR in 1979. Coincidentally, her first job was at the office of Jack Kemp - a Republican and, crucially, also a star of American football and a teammate of Susie’s father on the New York Giants. This role became a springboard for the young professional into the world of high-level politics - by 1980, she had already joined the presidential campaign of the new Republican star Ronald Reagan. In fact, it was on Wiles’s advice that Trump regularly quoted this great American and even reworked his political slogan to suit his own agenda.
After working on the presidential campaigns of George W. Bush and Mitt Romney, Wiles decided to monetise her expertise and earn wealth from commercial clients. This enterprising lady founded consultancy and lobbying firms, which made her not only a successful political consultant but also a wealthy one. In her best years, she had more than 40 clients, including entire countries such as Qatar and Nigeria, as well as tobacco giants. Elon Musk’s SpaceX and telecommunications monopolist AT&T also sought Wiles’s assistance.
In 2015, while enjoying the sunshine and palm trees of Florida, Donald Trump entertained an intriguing idea - to run for President of the United States. He therefore hired the successful lobbyist and political strategist - the two appreciated each other and began to work together.
Trump calls her «ice baby» and repeated the nickname during his speech at his Mar-a-Lago estate after it became clear he had won the election. The media, however, upgraded this «ice baby» to a more mature «Ice Queen»
Wiles’s colleagues highlight her strengths as a strategist. She brought the much-needed order to Trump’s campaign, managed its narrative (to the extent possible with Trump himself), and demonstrated her outstanding organisational skills. One of Wiles’s colleagues even described her as Trump’s longest-serving adviser, present at all his key meetings. Within the president’s circle, it is said that he frequently includes her in phone calls concerning political matters.
As often happens, the media sometimes receives leaks, such as about a secret Signal chat, where Wiles showed her firm character and hinted at the dismissal of National Security Adviser Mike Waltz.
Regarding her management style, in what is perhaps her only interview since her appointment, she told Axios:
«I do not welcome people who want to operate solo or become stars. My team and I will not tolerate backstabbing, inappropriate speculations or intrigue».
At one point, Wiles successfully dealt with Florida Governor Ron DeSantis, who challenged Trump in the primaries and even demanded that Wiles be dismissed from the campaign. When he dropped out of the race in January 2024, Wiles simply posted on social media: «Bye-bye».
The 2024 election campaign, which Wiles led alongside political consulting veteran Chris LaCivita, was successful and passed without major scandals
Trump followed advice, remained calm and used social media less frequently. At the same time, he appeared on young podcasters’ shows and danced for TikTok, which helped attract new voters.
Establishing contact with Susie Wiles is essential if one wishes to access the very brain of the President of the United States. Moreover, she controls the movements of all Trump’s friends and acquaintances within the White House, which is precisely why the musician Kid Rock appears there from time to time, but golf buddies are seen less often.
Another key woman who helped make Trump president twice is the charismatic Christian preacher Paula White. She recently became head of the newly established Office of Faith Affairs, which, among other things, is tasked with promoting religious freedom not only nationally but also internationally. During Trump’s first term, Paula White also worked on religious matters, though on a more modest scale.
The charismatic Paula White is always at the side of the President of the United States. Photo: Brynn Anderson/Associated Press/East News
The attractive blonde has known the Trump family since 2001. She is a star of Christian television, with her sermons filling stadiums and concert venues. Clearly, at some point, Trump heard Paula White working with an audience, became inspired by her prosperity theology - according to which material success is a sign of divine grace - and decided that such faith suited him.
If one closely observes the pastor’s speeches, it becomes evident that Trump copied her manner of speaking and gesticulation
The trust in White is so great that during his first term, she served as chair of the Evangelical Advisory Board for Trump’s 2016 campaign, and she became the first female clergy member to deliver a prayer at the inauguration on January 20th 2017.
Pastor White supported Trump in the 2020 presidential race, delivering a prayer at his campaign launch event. Similarly, during the 2024 election campaign, she was actively involved in the future president’s team. This accounts for the high support among the Christian electorate.
Paula White is known for her staunch support of Israel and has even appeared on lists such as «The 50 Best Christian Allies of Israel»
For Ukrainians, a significant fact is that from the very beginning of the invasion, Pastor White organised humanitarian aid for Ukrainian refugees in European countries, regularly reporting this on her website. Therefore, establishing contact with Paula White is a task for every Protestant pastor. It is a guaranteed path straight to Trump’s heart.
In her new role, Paula White will be working closely with the new Attorney General of the United States, Pam Bondi. In parallel with White’s appointment, Bondi was named head of a task force to «eradicate anti-Christian bias», which is intended to put an end to «all forms of anti-Christian attacks and discrimination within the federal government».
Pam Bondi is part of Trump’s inner circle. Photo: Ben Curtis/Associated Press/East News
The 59-year-old former head of the Florida state prosecutor’s office has pledged to maintain the independence of the Department of Justice and «not involve politics in its operations» - amid concerns that Trump intends to take control of the agency and exact revenge on those who led investigations against him and his supporters regarding the refusal to recognise the election results and the storming of the Capitol in 2021.
Interestingly, Bondi was not the president’s first choice for the post of Attorney General. Initially, Trump intended to assign the role to Matt Gaetz. However, before the appointment, the United States Congressional Ethics Committee discovered that Gaetz had spent over 90 thousand dollars making payments to 12 women, a significant number of whom were allegedly linked to services involving underage prostitution and drug use.
Ironically, during Trump’s first presidential term, Pam Bondi chaired the commission on the abuse of narcotic and opioid substances. Recently, the lawyer has been consulting for the America First Policy Institute - an organisation with considerable influence over the newly elected president’s political agenda.
On her first day as Attorney General of the United States, Pam Bondi decided to shut down the special unit tasked with seizing the assets of Russian oligarchs. Instead, the lawyer declared that the new enemy of the United States is the drug cartels
Nevertheless, Russian oligarchs certainly cannot expect the immediate return of their yachts. At the same time, Bondi did not state that the cases handled by the now-disbanded KleptoCapture unit would be closed. It is likely they will continue, although there will no longer be a dedicated team focusing exclusively on this activity. It is also possible that new cases will be launched.
Recently, Pam Bondi demonstrated her loyalty to her chief. She officially declared that it is unlikely criminal proceedings will be initiated over the transmission of sensitive military information via an unsecured Signal chat, in which Defence Secretary Pete Hegseth shared a plan for an airstrike on targets in Yemen.
The Attorney General intends to maintain Trump’s legal peace and protect him from the consequences of his past actions. Like the first two women, she belongs to Trump’s closest circle and is expected to remain with him until the end of his current term.
This project is co-financed by the Polish-American Freedom Foundation within the framework of the «Support Ukraine» programme implemented by the Education for Democracy Foundation
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